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Sure, very similar to a lot of you, I too am a weekly Chainsaw Man enjoyer. To be honest, it’s form of laborious not being one when “Chainsaw Man Tuesdays” consists of recent manga chapters adopted by new dubs and subs of the anime. Nevertheless, the manga from creator Tatsuki Fujimoto that left probably the most vital impression on me this 12 months was his one-shot manga, Goodbye, Eri. Admittedly, I used to be a bit fearful that Fujimoto’s storytelling wouldn’t have the ability to dwell as much as the feat he demonstrated with Chainsaw Man half one. However after seeing him just about stretch his writing muscular tissues and flex out Goodbye, Eri’s gripping story, my affinity for the oddball mangaka skyrocketed.
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Goodbye, Eri follows a excessive schooler named Yuuta as he paperwork the ultimate moments within the lifetime of his mom, who’s dying from a severe sickness. Though I gained’t spoil the climax of Yuuta’s documentary, practically everybody who witnesses it finds it deeply offensive. Earlier than Yuuta lets folks’s criticism get the higher of him, he varieties a weird friendship with a mysterious woman named Eri who liked his documentary a lot, she volunteers to be his supervisor.
As is Fujimoto’s model, Goodbye, Eri is full of cinematic but repetitive manga panels. As an alternative of affected by its repetitive nature, the subtlety within the motion of characters’ facial expressions makes the one-shot manga sing all through its 200 pages.
